PanSuriya Art Post


An Afternoon at the “Doctor’s Office”

I had heard about Abby Robinson’s body imaging project and knew that I wanted to go check it out, both to get photographed and to see what others had chosen to photograph of themselves. I was curious to see what patterns would emerge in the choices people made about showing off their bodies, especially in such a public place.

PhotosPansuriya

I stopped by Pansuriya early in the afternoon and was quickly handed a clipboard to fill out by the attendant “nurse”. The form asked me basic questions, including my preferred name and email address, before asking several questions about how many times I had been photographed recently and how I felt about being photographed.

I was told that there were several people ahead of me in line, and so I ordered lunch while I waited and checked out the wall displaying the photographs taken so far. Many people had chosen parts of their faces; features that they are already used to showing to the world. A few people had chosen their hands, posing them to accentuate the fingers or wrists. Occasionally, people had photographed an interesting piercing or tattoo, choosing to display the various ways that they had modified their bodies.

AbbyPansuriya

I was soon called into the “office”: an area separated from the restaurant by several white sheets. I handed my clipboard to Abby, dressed in a doctor’s white coat, and we discussed what body part I wanted photographed. I chose my left shoulder, which is covered with a smattering of dark freckles, and Abby led me into another ‘room’, which was set up as a studio. She adjusted the lighting and fiddled with her camera, angling for a more high-contrast shot. The results were automatically uploaded to her computer, where she was able to skillfully edit them as I watched. The photos were then printed onto two sheets, which Abby placed into lanyards. One, I got to keep, but the other I taped onto the wall, where it is hanging amidst a growing constellation of other people’s chosen body parts.



Body Imaging at Pansuriya
20 July 2017, 18:13
Filed under: exhibit, performance | Tags: , , , , , ,

Abby Robinson lives in NYC and teaches at the School of Visual Arts (NYC) in both the BFA Photography & Video and Graphic Design & Advertising Departments. Once upon a time she worked for a detective and, slippery, mysterious stuff continues to inform her photographs.

Robinson, who likes to stare and to travel, has had many of her projects have been done with the help of grants from the Asian Cultural Council, the Fulbright Program, the American Institute of Sri Lankan Studies, the Siskind Foundation, the Art Production Fund, and New York Foundation of the Arts. There have been shows in the US and abroad and she’s been fortunate to have also had a number of terrific residencies: Yaddo, MacDowell, VCCA, Light Works, Altos de Chavon (Dominican Republic), Three Shadows (Beijing) and New Zero Art Space (Yangon). Her photos are in the collections of The Whitney Museum (NYC), the Museum of Fine Arts (Houston, TX), the Portland Art Museum (Portland, OR), and Light Works (Syracuse, NY).

Abby Robinson’s first body imaging project started in 2009 at a home-based installation in Manhattan, then travelled in 2010 to Shanghai, was seen again in 2012 in New York, turned up in 2013 in Las Vegas, came back in 2014 to Brooklyn and visited Budapest, Hungary in 2016. 2017 is for Yangon!

When:
• From 20th of July to 2nd of August
• Weekdays : 12 pm – 2 pm & 6:30pm – 9pm
• Weekends : 11 am – 2 pm & 4 pm – 8 pm

How:
• Have a seat in the waiting room
• Fill out a questionnaire
• Consult in the office about the body part you want to be photographed
• Step into the studio for a quick photo shoot

Diagnosis :
• Receive a free VIP Badge with your photograph

Pansuriya is at 102 Bogalay Zay Street, between the Secretariat and the river.

Abby



Pansuriya Suggests (New Arrivals): Aung Ko: Infinite Red, 2014
25 November 2014, 00:32
Filed under: art conversation | Tags: ,

Aung Ko: Infinite Red, 2014

Aung Ko: Infinite Red, 2014


The square painting reflects a somewhat distorted perspective, not an unusual element on Aung Ko’s works.
In a simple landscape carrying rather neutral colours, an extremely long roof structure heads from the right lower part of the canvas towards the focus-point, escalating even through a white stone fence. Before taking a 9o°C turn in the direction of the background to disappear behind the horizon, the line assembles into a small square structure supporting itself a complex roof construction. Some green bushes appear here and there cooling the burning atmosphere of reds and light oranges, but it is the shade under the architectural element that promises a true rest. The quiet and calm emanating from the work surely smooths a too vibrant space!



The City as Sculpture
11 January 2014, 15:53
Filed under: exhibit | Tags: , ,

City as Sculpture med

On Sunday, we launch a new set of services. Want to try out a painting? Need variety? You can arrange to have art on your walls changed every three months. Need consulting on art as part of interior design? We have the people to match your taste in art. To find out more, come to The City as Sculpture exhibition at Pansodan Scene for a presentation at 2:00 pm. Or, contact us any time.