Filed under: art conversation, exhibit | Tags: artist, burma, burmese, myanmar, painter, painting, pansodan, Pansodan Art Gallery, thu rein m, thu rein sann, thu rein.ms, Thurein M, Yangon
In this exhibition, Thu Rein is showing off two series of paintings — some are a straightforward and lovely realism, some are a fresh take which gives an impression of cubism while in fact maintaining a realist approach.
The painter Thu Rein (who sometimes signs himself Thu Rein.M, sometimes Thu Rein Sann, sometimes Thu Rein.MS) began a self-portrait, reflected in the mirror-mosaic of a pagoda wall, seven years ago (see image below). It took him many visits to pagodas, looking at mirrored tiles until he was dizzy before he got the colours, images, shapes and impression he was looking for.
This was the beginning of a series of images shown in the fragments silvery tiles which adorn many pagoda walls. In News Hunter (centre painting in this blog’s header) he depicts parts of a face reflected in a pattern of mirrors, with a camera at the centre, half-hidden behind green leaves, and with the gilded embellishments and other elements of a monastery all around and overlapping the hunter.
He travelled around the country, to Magway, Minbu, Pyinmana and many other places, where he painted whatever caught his eye reflected in the mirrored surfaces. In the painting of the brass Buddha image from Pyinmana, little other than the sheen and colour is reflected. In another, titled Two Friends (see image below), hardly any of the faces of the friends shows, subsumed by the reflections of gold, brass, and the colours of their shirts. The Faceless is another of this series, in which a fragmented person with hints of hair and hand is outdone by his surroundings.
The other series is of the twilight over the Bazundaung River, which shapes and divides the eastern side of Yangon. Views of the city from Thaketa and Thingangyun neighbourhoods, or from Bazundaung itself show the rich colours of dusk. He became entranced by the colours of the sunsets, the fiery sky reflected in the water. Many of the paintings are anchored by the Shwe Dagon, which from that side soars above the town. Another is painting in a bit of North Okkalappa, along the same waterway. In this one, the pagoda popularly called ‘Yangon Thabyinnyu’ and the bank of the river with modest huts make the scene look like a little piece of Bagan, but with a hulk of a building on the horizon where the hills might be in the ancient capital.
A few plein air pictures with other themes round out the exhibition which will be showing until 13 March 2013, at Pansodan Art Gallery, from 10-6 (open until late on Tuesday).
Interview with Nance Cunningham in Pansodan Art Gallery, 11 March 2013
Filed under: exhibit | Tags: Art, bagi aung soe, bagyi aung soe, burmese, myanmar, painting, pangyi aung soe, pansodan, Yangon
Bagyi Aung Soe blew the Burmese art world’s mind open with the freedom of his mind. An exhibition honouring his work starts in the expanded Pansodan space, near Maha Bandoola. The staircase just north of Maha Bandoola on Pansodan, second floor.
Filed under: exhibit | Tags: burmese art, burmese painting, myanmar art, myanmar painting, painting
Once upon a time there were paintings. Once upon a time these paintings moved us, inspired generations, brought colour to history, articulated in luminous strokes the beauty of our world.
Visit these 20th century works again, old as now, and allow the perspectives of decades past to inform our outlooks on beauty and statements.
A re-presentation of 20th century art, that once upon a time was the present.
From 25 – 30 March, 10:00am to 6:00pm, at Pansodan Gallery in Yangon.